Performance, Gestures, Electronics
Our invited panelists will present on their work in music, technology, and composition. A creative response will follow in the form of a performance of Joceyln Ho’s piece about women’s labor, and our session will conclude with a panel discussion.
Panelists: Jocelyn Ho (UCLA), Margaret Schedel (Stony Brook University), Patricia Alessandrini (Stanford University), Pamela Z
This session includes a performance of “Women’s Labor” by Jocelyn Ho and a panel discussion
Presented by the UCLA Center for Musical Humanities and the UCLA Music Library, in collaboration with co-organizers Pheaross Graham (UCLA) and Farrah O’Shea (UCLA).
For more information and the full schedule, or for tickets, please see Music Performance Studies Today.
Performing Capitalism and Neoliberalism
Anti-Blackness in Western Classical Music
On Beethoven, Blackness, and Belonging: Debating Classical Music in the Black Atlantic
The Ephemerality of Musical Hearing
21st-Century Pianism: Retrospection, New Directions, and Interpretative Communities
Methods in Music Performance Studies